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The Collected Works of Gerard Manley Hopkins: Volume VI: Sketches and Scholarly Studies, Part II: Musical Settings and Sketches by R. K. R. Thornton

Electronics book free download pdf The Collected Works of Gerard Manley Hopkins: Volume VI: Sketches and Scholarly Studies, Part II: Musical Settings and Sketches 9780192889140 ePub English version by R. K. R. Thornton

Download The Collected Works of Gerard Manley Hopkins: Volume VI: Sketches and Scholarly Studies, Part II: Musical Settings and Sketches PDF

  • The Collected Works of Gerard Manley Hopkins: Volume VI: Sketches and Scholarly Studies, Part II: Musical Settings and Sketches
  • R. K. R. Thornton
  • Page: 304
  • Format: pdf, ePub, mobi, fb2
  • ISBN: 9780192889140
  • Publisher: Oxford University Press

Download The Collected Works of Gerard Manley Hopkins: Volume VI: Sketches and Scholarly Studies, Part II: Musical Settings and Sketches




Electronics book free download pdf The Collected Works of Gerard Manley Hopkins: Volume VI: Sketches and Scholarly Studies, Part II: Musical Settings and Sketches 9780192889140 ePub English version by R. K. R. Thornton

Overview

Sketches and Scholarly Studies: Part II, Musical Settings and Sketches brings together two crucial aspects of Gerard Manley Hopkins's insatiable drive to create: drawing, predominantly (but not exclusively) from the early part of his life, when he had ambitions to be a painter; and music, from the later part of his life, when he found in music suggestions of a new contact with the eternal. Hopkins grew up in a home that emphasized cultural and artistic accomplishments; his brothers Arthur and Everard were both professional illustrators, and his sister Grace was an accomplished pianist. Limited as the corpus of Hopkins's drawings is—four small sketchbooks and a handful of loose drawings—there is certainly evidence to suggest that he might have been a successful illustrator adhering to Ruskinian principles. This edition reproduces the surviving drawings, with a full introduction and annotations placing them in the context of Hopkins's creative life. His musical compositions are presented in both manuscript facsimiles and new transcriptions, revealing his exploration, in a new mode, of ideas of rhythm, harmony, and counterpoint.

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